Past & Furious

Today’s my birthday.

So I loaded my Polaroid 600SE with an expired 03/2009 Polaroid 125i film
and went out wandering to get a birthday’s picture, hopefully.

And I got it.

Looking at it I had already a title in mind:

Past and Furious!
Film: Polaroid 125i  Camera: Polaroid 600SE 1/125 - f 8
Film: Polaroid 125i
Camera: Polaroid 600SE
1/125 – f 8


Lomo(graphy) cameras are already “mainstream”, but keeping that allure of Soviet Union that charms many of us photographers, hipsters, nostalgic and makers.

I find that among the (growing) amount of these cameras, one of the most significant is the Lubitel 166.

For its aesthetic, viewfinder, focusing… its personality!

Your are not taking your Lubitel with you to take pictures, you are going out together at most or, usually, your Lubitel is taking you out.

Here few pics of our walking, with some views of the former Encants Vell Market in Barcelona:

Pinholing: my sight through a hole

It’s time for me to start showing another side of my photographic activity,
one of my oldest passions, but kept for myself until now.

Pinhole photography entails endless considerations, totally ignored here.

Images and suggestions, views of the world through a tiny little hole, in a infinite variety of cameras’ shapes.

Here we go… silently and slowly



To underline:

I love all kind of films, slides, plates or phisical support, and keep riding the sweet old style analog photography.

But more I love graphic and photography “tout-court”.

Thus, the digital era offers tools and more options, that not to explore would be unwise.

I am wise, and here I present some small projects, realized through a mobile phone’s camera  (iPhone4).

Blending pixels: here’s what I got.

IMG_3310 1



I discovered that New York is not what I thought it was, a Contemporary Cosmopolis with a post-contemporary aesthetics: grey but shiny, with sparkling and dazzling streets.

I saw a Modern city instead, with more 19th than 21th century in it, quite decaying and musty and somehow rotten.

Grey? NYC is grey, indeed.

This made me decide to shoot some Red Scale films, to obtain images returning this mood .
Easy to understand why Coney Island is a big part of this reportage.

images gallery

Specs: Canon AE1 – 50mm 1.8 FD – Red Scale



It’s an old cotton mill, a huge structure in the Northeast of Italy, active from the second half of ‘800, and since around 1980’s inactive and left abandoned.

The project presented is a slow reportage, the result of several months of exploration around its different areas  together with long exposures.

This work is influenced by the Japanese aesthetic concept of “Wabi-Sabi” applied to a typical Industrial Archaeology reality.

From its original structure typical of early XX century industries, now the landscape shown through these pictures (large and medium format with Mamiya and Linhof) becomes a newly created post-industrial stage with its peculiar scenery. 

A similar process of sedimentation to that that these walls and elements went through, has been applied to the images’ capture process, using closed diaphragms (/16 to /32) and long exposures time to transfer these layers to slide films.

– Go to the Gallery –


Analogue signal

a signal that contains information using non-quantized variances in frequency and amplitude

continuous signal – infinite – mechanic

Analog photography

records light through chemical reaction of molecules (=made out of atoms)

It does not record light as squared regularly finite data

Digital photography and analog photography

are not the same

beside any “what’s better” or “which’s highest definition” discussion

– My eyes and sight feel more confortable looking at the chaos –